Movie Scene Analysis Assignment Review Example | Topics and Well Written Essays - 1000 words

Scene Analysis Assignment - Movie Review Example Here too the chief attempts to be a concealed eyewitness. The demise of a Samurai and the assaulting of his significant other is the center occurrence of the story. It was woodcutter in the timberland who finds the body of the murdered samurai. A cleric is additionally an observer. In any case, during the preliminary four observers including the wood shaper and the minister give various stanzas of the episode. The film discloses to us that it is troublesome or close to difficult to arrive at reality, only through the adaptations of witnesses, for each one will have their viewpoints of things and all human memory is obfuscated by one’s own judgment, discernment and self image. An extremely fascinating scene or arrangement of the film is in the first place where the woodcutter is strolling through the timberland with his hatchet threw on his shoulder. The scene is made out of exotic development of the camera, and is of span of two minutes. It has no discourse. The scene is a pie ce of a blaze back; by chance the entire film is a glimmer back. The scene is built in 16 shots , of which the wood shaper shows up in twelve .There are three unmistakable close ups - A current time close up of the substance of the wood shaper and past time close up of the cap of the woman assaulted , holding tight a shrub. ... During the fifties this was viewed as an untouchable in cinematography and the cameraman, Miyagava Kazuo opposes this custom and makes awesome picture on the screen. Camera looking direct to the sun might be regular in films today. Yet, during those days the conviction had it that the sun beams entering direct into the focal point would consume the movie in the camera. In any case, here the shot direct into the sun gives the watcher the mis-en-scene experience of the camera, or the watcher himself going into the core of the timberland. He himself is entering the woods alongside the camera. It drives the watcher into the light and shadow universe of the woods where the human brain can lose its direction. This shot and the entire scene was frequently refered to as one of the most exceptional camera work in highly contrasting cinematography. The development of the article before the camera makes the psychological mind-set of the scene. In this scene of the twelve shots where the wood sh aper shows up, in shots 13 and 15 the wood shaper moves option to left of the camera, in shots 2, 4, 5 and 9 he moves left to right of the camera; in shots 3 and 16 he moves towards the camera and in shots 8 and 14 he moves from the camera. The shot 11 is substantially more muddled as far the development of the article with in the edge is concerned. Here the woodcutter moves left to right and afterward option to left .In shot 6 he moves previously left to right and afterward towards the camera lastly away from the camera. Here Kurosawa makes such an a complex musical montage, which focuses on the inconsistency of the developments with in the casing. This movement of the developments of the character before the camera makes an inclination that he is strolling wayward as though getting caught some place. It represents the way that he is getting